PREVIEW
WEDNESDAY 5 MAY doors 6.30pm
Andro Semeiko and Yu-Chen Wang 7pm
Performance - Happy End AY2010 by Kilter Theatre - part 1
Made in collaboration with Kilter Theatre’s Oliver Langdon and Caroline Garland the play is a semi-fictional, semi-biographical story inspired by the lives and aspirations of Andro Semeiko and Yu-Chen Wang.
Making Holes Leaving Circles
A sequence of images projected to create fluid narratives and simultaneous relationships between a selection of photographs, drawings and texts.
Drawing Club 8-10pm
 
PREVIEW
WEDNESDAY 12 MAY 7pm (doors 6.30pm)
Alasdair Duncan
 
Drawing Club 8-10pm
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Happy End
 
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updated 14.07.2010
 
 
Happy End calendar
 
   
Synopsis of Happy End  
Happy End is set in 2009 East London. It tells the remarkable, life-changing story of an Eastern European armour polisher and his Asian saleswoman wife, and of their journey towards a new dream life together. Andro is a mono-brow Georgian working at the Collections and Restoration Department of The Wallace Collection. His skill is to make armour shimmer and come alive. Ever since he was a little boy he has wanted to become a shining knight of Charlemagne’s army. His wife, Yu-Chen, a woman of tiny physique, came from a small but beautiful island in the Far East. Her family had a big factory there that produced bicycles. Now she works for made-in-china.com (London branch) and helps European companies find factories in China that make cheap products fast.

Today is a normal day. Andro is polishing armour. He achieves an exquisite shine on his Fourth Crusade 12th century French armour and suddenly cannot stop staring into his reflection. Images of atrocities by Crusaders in the holy city of Constantinople flicker through his mind and he starts to see things in different light. That night he can’t sleep. He realises that the dreams he had about knighthood were false. He begins to see that knights were primarily brutal war machines. He loses passion for his job and begins to despise his miserable existence in an oppressive capitalist society.

That same day, Yu-Chen is back from China. She saw a factory there that will produce one of the new gizmos for the UK market. She was appalled by the worker exploitation she saw there. That night she can’t sleep either. She begins to realise that she cannot continue to work in such an unjust system. She remembers that when she was a child she dreamt of inventing new machines. She had tried to make a Suitcase-Folding-Bicycle. She spends all night revisiting her old sketches in her mind. She decides to invent a device that will fulfill her dreams, make her life and Andro’s happier... and maybe even change the world!

Machines lack humanity and alienate the spirit. Yu-Chen overcomes this by basing the idea for her machine on Andro’s and her life. Together, they begin planning and sketching how they can make a revolutionary and innovative machine, a ‘transmitter’, which can guide them to happiness. They realise that to allow it to perform its magic they need their device’s power to come from a spiritual place. Andro remembers his grandpa’s stories about the Fourth Crusade and the ‘holy land’ of Constantinople. The next day they begin their journey towards the authentic…

Charles Samuel Keene 1823-1891 Man Polishing Armour watercolour on paper
 
People work on the assembly line at bicycle factory in Taichung, Taiwan
   
   
   
* Happy End is written by Andro Semeiko and Yu-Chen Wang and will be performed in two parts by Oliver Langdon and Caroline Garland from Kilter Theatre at 7pm 5 May 2010 and 8pm 11 June 2010. The artists would like to thank Grae Cleugh for his support.
 
   
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